In Between

Over the past few weeks we've engaged in multiple conversations with other creative people on how Internet content plays into the distribution paradigms of the future. As we've made mention in this blog before, the challenge is always to get eyes on your product. The more eyes your stories reach, the more opportunity you have to actually realize some monetary compensation and be able to live off of the talents you have.

Today, there is no one true paradigm of how to get your series up, seen and funded to sustain them. One could also argue that much of the creative content up on the web is poor at best. The struggle some talented creatives also have is trying to work with both SAG and AFTRA even under their "new media contracts." Insurance is still required, often costing hundreds of dollars. It's also been our experience both SAG and AFTRA do not return emails or calls. So while we wait to fill things out and do the right thing, our shoot dates just roll by. For those with full financing, this is probably whining. But when you are working 40 hours a week to pay bills and support your creativity on the side, the lack of follow up from SAG and AFTRA are just another headache you don't need.

That said, we often find ourselves in-between - good enough for people watching our series to love them and ask for more from us. Not funded enough to be able to shoot through for two weeks and pay the thousands of dollars required to cover the requirements from all the unions. So we keep plugging along, grateful for the pioneering spirit of this new media world and grateful for the talent that opts to work with us despite the obstacles.